The intersection between cultural affinity and screen tourism (whether distributed via cinemas, television or OTT platforms) is of great interest to academic research. Successful audiovisual content generates empathy and meaningful cultural connections between audiences and the filming or portrayed locations, which often also ends up attracting a significant volume of visitors interested in the geographies presented. These interactions transcend the simple act of travelling, as they promote a special bond with the cultural assets of destinations, while energizing local economies and advancing the Sustainable Development Goals by increasing demand for indigenous products and services. The geography of filming also plays a fundamental role in (re)configuring the image of tourist destinations, as the narratives and aesthetics they present influence perceptions. From a multidisciplinary approach that integrates media studies, recreational mobility, cultural dynamics and filming geography, this volume addresses the study of the impact of audiovisual content on (non) sustainable tourism, cultural diversity and the socioeconomic resilience of local communities in an interconnected global context.