Reflections from the field: Exploration of differences between art-based and academic research by a practitioner-researcher on Henrik Ibsen and beyond
Using multiple languages within an improvised fairytale during online arts-based collaborations
The dialogue between languages of painting and cinema in The Age of Innocence by Martin Scorsese
Observable flow experience in Japanese children’s interactions with musical instrument digital interface instruments, violins, and bells
Simulacra and historical fidelity in digital recreation of lost cultural heritage: Reconstituting period materialities for the period eye
Macedonian ballet (1949 – 2024), decoding of diverse choreographic “letters”
Decoding decorative motifs: Visual perception and spatial understanding in Buddhist image houses