AccScience Publishing / AC / Online First / DOI: 10.36922/AC026250042
Cite this article
2
Download
54
Views
Related Info Links
More by Authors Links
Journal Browser
Volume | Year
Issue
Search
News and Announcements
View All
EDITORIAL

Preservation, participation, persistence: Cutting-edge tensions in digital culture

Ming Ma1*
Show Less
1 Department of Cultural Industries Management, Faculty of Humanities and Social Sciences, City University of Macau, Taipa, Macau, China
Received: 15 June 2026 | Published online: 10 July 2026
© 2026 by the Author(s). This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution -Noncommercial 4.0 International License (CC-by the license) ( https://creativecommons.org/licenses/by-nc/4.0/ )
Conflict of interest
Ming Ma is an Editorial Board Member of this journal and a Guest Editor of this special issue. The author declares no known competing interests.
References
  1. Ma M, Liu Y. Digital Economy and Baumol’s Cost Disease of Performing Arts: An Empirical Research in China. J Arts Manag Law Soc. 2024;54(2):95–118. doi: 10.1080/10632921.2024.2310862
  2. Hutchinson J. Digital Intermediation: Unseen Infrastructure for Cultural Production, 1st ed. Routledge. 2023. doi: 10.4324/9781003177388
  3. Ma M, Yuping K. Revolutionizing the Stage: Exploring the Multidimensional Landscape of Digital Theater. Digit Scholarsh Humanit. 2025;40(2):575–86. doi: 10.1093/llc/fqaf015
  4. Barone PM. Between Past and Future: Digital Technologies and the Revolution in Cultural Heritage Preservation. DigItalia. 2024;19(2):81–99. doi: 10.36181/digitalia-00103
  5. Zeilinger M. Tactical Entanglements: AI Art, Creative Agency, and the Limits of Intellectual Property. meson press; 2021. doi: 10.14619/1839
Share
Back to top
Arts & Communication, Electronic ISSN: 2972-4090 Published by AccScience Publishing