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EDITORIAL
Preservation, participation, persistence: Cutting-edge tensions in digital culture
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1 Department of Cultural Industries Management, Faculty of Humanities and Social Sciences, City University of Macau, Taipa, Macau,
China
AC, 026250042 https://doi.org/10.36922/AC026250042
Received: 15 June 2026 | Published online: 10 July 2026
(This article belongs to the Special Issue The Digital Cultural Sphere: Preservation, Participation, and Paradigm Shifts)
© 2026 by the Author(s). This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution -Noncommercial 4.0 International License (CC-by the license) ( https://creativecommons.org/licenses/by-nc/4.0/ )
Conflict of interest
Ming Ma is an Editorial Board Member of this journal and a Guest Editor of this special issue. The author declares no known competing interests.
References
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- Hutchinson J. Digital Intermediation: Unseen Infrastructure for Cultural Production, 1st ed. Routledge. 2023. doi: 10.4324/9781003177388
- Ma M, Yuping K. Revolutionizing the Stage: Exploring the Multidimensional Landscape of Digital Theater. Digit Scholarsh Humanit. 2025;40(2):575–86. doi: 10.1093/llc/fqaf015
- Barone PM. Between Past and Future: Digital Technologies and the Revolution in Cultural Heritage Preservation. DigItalia. 2024;19(2):81–99. doi: 10.36181/digitalia-00103
- Zeilinger M. Tactical Entanglements: AI Art, Creative Agency, and the Limits of Intellectual Property. meson press; 2021. doi: 10.14619/1839
