AccScience Publishing / AC / Online First / DOI: 10.36922/ac.2747
ARTICLE

Inclusive elementary school musicking practice for Japanese students with special needs: A narrative inquiry

Shizuka Sutani1*
Show Less
1 Department of Education, School of Education, Mukogawa Women’s University, Nishinomiya City, Hyogo Prefecture, Japan
Submitted: 15 January 2024 | Accepted: 15 March 2024 | Published: 30 September 2024
© 2024 by the Author(s). This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution -Noncommercial 4.0 International License (CC-by the license) ( https://creativecommons.org/licenses/by-nc/4.0/ )
Abstract

Musicking is an old, yet new concept of music-making. The term, first proposed by anthropologist Christopher Small, intended to reinterpret music as not merely an act but also as an object. While musicking, anyone can participate in musical activities, which include singing, dancing, improvisation, and listening to musicking sessions. This study examines the use of musicking strategies in a Japanese elementary school with special needs students. The initial participants comprised 10 students from the first to sixth grades from a public elementary school in the northern part of Okayama Prefecture, Japan. Dr. A, the lead researcher of this study, is a violinist–teacher–researcher with professional orchestra experience in the United States. His career as a guest music teacher spans more than 20 years. In addition, two homeroom teachers and two university students supported the research project as participant observers. Based on Dr. A’s related practice in this area, this study explored musicking with a special emphasis on student inclusion. By applying a narrative inquiry and multivocal ethnography, this study investigated various events that were experienced in the musicking practice. Finally, the participants co-constructed a research-based narrative, focusing on creating a learning environment enabling all participants to build a musical community together. By synthesizing the participants’ thoughts, providing insights into musicking practice, exploring unexpected events, and utilizing the intuitive nature of music, the participants identified an approach for a comprehensive model for musicking.

Keywords
Musicking
Special needs classroom
Case study
Narrative inquiry
Funding
This research was funded by the Japan Society for the Promotion of Science Grants-in-Aid for Scientific Research: KAKEN (No. 20K02841).
Conflict of interest
The author declares no conflicts of interest.
References
  1. Small C. Musicking: The Meaning of Performing and Listening. Wesleyan: Wesleyan University Press; 1998.

 

  1. Dissanayake E. Arts and Intimacy: How the Arts Began. Washington: University of Washington Press; 2000.

 

  1. Brucher K, Reily S. The Routledge Companion to the Study of Local Musicking. England, UK: Routledge; 2018.

 

  1. Ruddock E. Misconceptions underplay western ways of musicking: A hermeneutic investigation. Act Crit Theory Music Educ. 2017;16(2):39-64. doi: 10.3389/fpsyg.2013.01003

 

  1. Pavlicevic M, Ansdell G. Community Music Therapy. London: Jessica Kingsley; 2008.

 

  1. Stige B. Health musicking: A perspective on music and health as action and performance. In: Music, Health and Wellbeing. Oxford: Oxford University Press; 2012.

 

  1. Dowlen R, Keady J, Milligan C, et al. The personal benefits of musicking for people living with dementia: A thematic synthesis of the qualitative literature. Int J Res Policy Pract. 2017;10(3):197-212. doi: 10.1080/17533015.2015.989722

 

  1. Sutani S, Gordon RK, Akutsu T, et al. Musicking to Embody Kyosei in the Framework of the Musical Theme and Variation. In: Proceedings of the 13th Asia-Pacific Symposium for Music Education Research; 2021.

 

  1. Shor I. When Students have Power: Negotiating Authority in a Critical Pedagogy. Chicago: Chicago University Press; 1996.

 

  1. Shaw N. Siberian Syndrome in Online Learning Toward a critical instructional design PB Press Books; 2024. Available from: https://pressbooks.pub/criticalinstructionaldesign/ chapter/siberian-syndrome-in-online-learning [Last accessed on 2024 Jan 05].

 

  1. Sutani S, Gordon RK, Akutsu T. Universal design in music education: Through “musicking” practice. J Kyosei Stud. 2019;10:67-76.

 

  1. Sutani S, Gordon KR, Kurihara K, et al. The embodiment of kyosei philosophy and reflection-in-action in the context of Musicking practice. J Kyosei Stud. 2021;12:55-67.

 

  1. Sutani S. Improvisational and international engagement seen at Seisa art camp: Embodying symbiosis through art. J Kyosei Stud. 2022;11:147-151.

 

  1. Sutani S, Haga H, Akutsu T, Haga M. Practicing-musicking-in schools in remote-areas: Group music learning by connecting multiple schools in remote areas with an online conference. Res J Rural Educ. 2022;77:31-43.

 

  1. Sutani S, Akutsu T. Contextual violin pedagogy for young children. Am String Teach. 2019;69:55-59. doi: 10.1177/0003131319835532

 

  1. Sutani S, Takeshi K, Akutsu T. Universal design in music education: Through Musicking practice. J Kyosei Stud. 2019;10:67-76.

 

  1. Sutani S. Musickingat a Kindergarten: A case study. Bull Fukuoka Womens Jr Coll. 2019;84(1):56-60.

 

  1. Sutani S, Akutsu T, Gordon RK. Implementing the mixed instrumental practice by applying Instructional template (IT): Flow assessment in Japanese music education. In: Challenges Associated with Cross-Cultural and At-Risk Student Engagement. United States: IGI Global; 2016. p. 188-222.

 

  1. Kaku R. The Path of Kyosei. Harvard Business Review. Cambridge: Harvard University Press; 1997.

 

  1. Nishijima C. Applying the concept of musicking to school music education Japanese. J Music Educ Res. 2020;50(1):13-24.

 

  1. Weelden KV, Wayman DV, Singletary L. No fear, just fun!: Meaningful, memorable musicking in secondary general music. Gen Music Today. 2019;32(3):13-19. doi: 10.1177/1048371309353878

 

  1. Viig TG. Multiple modes of facilitation in a Norwegian creative musicking project. Res Stud Music Educ. 2017;39(2):247-264. doi: 10.1177/1321103X17734414

 

  1. Wassrin M. Towards Musicking in a Public Sphere: 1-3 Years Olds and Music Pedagogues Negotiating a Music Didactic Identity in a Swedish Preschool. Doctoral Dissertation. Sweden: Stockholm University; 2016.

 

  1. Abeles HF, Conway C. The inquiring music teacher. In: Abeles HF, Custodero LA, editors. Critical Issues in Music Education: Contemporary Theory and Practice. New York: Oxford University Press; 2011. p. 276-302.

 

  1. Barrette M, Stauffer SM. Narrative Inquiry in Music Education: Troubling Certainty. Germany: Springer; 2009.

 

  1. Conway MC. Story and narrative inquiry in music teacher education research. J Music Tech Educ. 2003;12(2):29-39. doi: 10.1177/10570837030120020105

 

  1. Clandinin DJ, Connelly FM. Narrative Inquiry: Experience and Story in Qualitative Research. San Francisco, CA: Jossey- Bass; 2000.

 

  1. Tobin J, Hsueh Y, Karasawa M. Preschools in Three Cultures Revisited, Chicago. Chicago: The University of Chicago Press; 2009.

 

  1. Omichi K, Kato N, Hehong Q, Nakatsubo N. The possibilities and challenges of multi-vocal visual ethnography as a research methodology. Bull Grad Sch Hum Soc Sci. 2020;1(2):213-220.

 

  1. Ely M. Doing Qualitative Research: Circles within Circles. London: Psychology Press; 1991.

 

  1. Holt J. How Children Learn. New York: Da Capo Press; 1983.

 

  1. Singleton RA, Straits BC. Approaches to Social Research. 1st ed. New York: Oxford University Press; 2010.

 

  1. Elliot D. Music Matters: A New Philosophy of Music Education. Oxford: Oxford University Press; 1995.

 

  1. Allsup RE. Philosophical perspectives of music education. In: Abeles HF, Custodero LA, editors. Critical Issues in Music Education: Contemporary Theory and Practice. New York: Oxford University Press; 2011. p. 39-60

 

  1. Akutsu T. Constructing a fast-protocol for middle school beginner violin classes in Japan. Int J Music Educ. 2018;36:96-107. doi: 10.1177/0255761417689918

 

  1. Frierson-Campbel C. Musicking in a west bank conservatory: Toward a sociological framework. Action Crit Theory Music Educ. 2016;5(3):132-150. doi: 10.3389/fpsyg.2013.01003

 

  1. Golden M. Musicking as education for social and ecological peace: A new synthesis. J Peace Educ. 2016;13(3):266-282.

 

  1. Lamb R. Music as sociocultural phenomenon: Interactions with music education. In: Abeles HF, Custodero LA, editors. Critical Issues in Music Education: Contemporary Theory and Practice. New York: Oxford University Press; 2011, 23-38.
Share
Back to top
Arts & Communication, Electronic ISSN: 2972-4090 Published by AccScience Publishing