The role of artificial intelligence in art

Artificial intelligence (AI) has emerged as a significant influence in the art world, prompting reflection and introspection. This phenomenon raises the question: how could this have happened? This article explores the interrelation between AI-generated art and the concept of artwork’s aura, particularly in how art profoundly engages with otherness. The inquiry into whether AI relates to otherness is central to this discussion. The research methodology employed in this study combines scholarly research and literature review with the author’s personal experiences in painting, artistic observation, and experimentation with various art techniques. The methods used include descriptive analysis, classification, observation, and interpretive analysis of examples of AI-generated images. The conclusion drawn from this investigation is that AI-assisted works cannot be considered art as long as AI simulates the language of other artistic media.
- Dixon M. The horror of disconnection: The auratic in technological malfunction. Transform J Media Cult. 2007;15:8.
- Nair K. Aura, auteurism and “The key to reserva”. Wide Screen. 2010;1(2):5.
- Levinas E. Totalitet i Beskonačno. Sarajevo: IP Veselin Masleša; 1976. p. 17.
- Levinas E. Totalitet i Beskonačno. Sarajevo: IP Veselin Masleša; 1976. p. 23.
- Levinas E. Totalitet i Beskonačno. Sarajevo: IP Veselin Masleša; 1976. p. 25-26.
- Levinas, E. Totalitet i Beskonačno. Sarajevo: IP Veselin Masleša; 1976. p. 45-46.
- Derrida J. Nasilje i Metafizika. Beograd: Plato; 2001. p. 28.
- Derrida J. Nasilje i Metafizika. Beograd: Plato; 2001. p. 30.
- Derrida J. Nasilje i Metafizika. Beograd: Plato; 2001. p. 17.
- Derrida J. Nasilje i Metafizika. Beograd: Plato; 2001. p. 23.
- Derrida J. Nasilje i Metafizika. Beograd: Plato; 2001. p. 12-13.
- Badry AI, Lubis AY. Digital art and its uniqueness without aura. In: Budianta M, Budiman M, Kusno A, Moriyama M, editors. Cultural Dynamics in a Globalized World. United Kingdom: Taylor & Francis Group; 2018. p. 92.
- Benjamin W. The work of art in an age of mechanical reproduction. In: Arendt H, editor. Illuminations. New York: Schocken Books; 1969. p. 221-230.
- Zięba M. Authenticity (aura) recycled. Erasing originality in appropriation art. In: Markowska A, editor. Politics of Erasure. From “Damnatio Memoriae” to Alluring Void. Warsaw-Torun: Polish Institute of World Art Studies & Tako Publishing House; 2014.
- Rodríguez-Ferrándiz R. Benjamin, bittorrent, bootlegs: Auratic piracy cultures? Int J Commun. 2012;6:409.
- Rodríguez-Ferrándiz R. Benjamin, bittorrent, bootlegs: Auratic piracy cultures? Int J Commun. 2012;6:403.
- Rodríguez-Ferrándiz R. Benjamin, bittorrent, bootlegs: Auratic piracy cultures? Int J Commun. 2012;6:407.
- Rodríguez-Ferrándiz R. Benjamin, bittorrent, bootlegs: Auratic piracy cultures? Int J Commun. 2012;6:408.
- Bourriaud N. Postproduction: Culture as Screenplay: How Art Reprograms the World. New York: Lukas & Sternberg; 2005.
- Bourriaud N. Relacijska Estetika. Zagreb: Postprodukcija, MSU; 2013. p. 141-142.
- Bourriaud N. Relacijska Estetika. Zagreb: Postprodukcija, MSU; 2013. p. 147.
- Bourriaud N. Relacijska Estetika. Zagreb: Postprodukcija, MSU; 2013. p. 177.
- Bourriaud N. Relacijska Estetika. Zagreb: Postprodukcija, MSU; 2013. p. 207.
- Rodríguez-Ferrándiz R. Benjamin, bittorrent, bootlegs: Auratic piracy cultures? Int J Commun. 2012;6:406.
- Gielen R. How does Media Exhibit Auratic Qualities in the 21st Century? Contemporary Theory; 2018. p. 7. Available from: https://www.academia.edu/37206582/how_does_ media_exhibit_auratic_qualities_in_the_21st_century [Last accessed on 2024 Jan 20].
- Gielen R. How does Media Exhibit Auratic Qualities in the 21st Century? Contemporary Theory; 2018. p. 7-8. Available from: https://www.academia.edu/37206582/How_does_ media_exhibit_auratic_qualities_in_the_21st_century [Last accessed on 2024 Jan 20].
- Gielen R. How does Media Exhibit Auratic Qualities in the 21st Century? Contemporary Theory; 2018. p. 9. Available from: https://www.academia.edu/37206582/How_does_ media_exhibit_auratic_qualities_in_the_21st_century [Last accessed on 2024 Jan 20].
- Gielen R. How does Media Exhibit Auratic Qualities in the 21st Century? Contemporary Theory; 2018. p. 10. Available from: https://www.academia.edu/37206582/How_does_ media_exhibit_auratic_qualities_in_the_21st_century [Last accessed on 2024 Jan 20].
- Gielen R. How does Media Exhibit Auratic Qualities in the 21st Century? Contemporary Theory; 2018. p. 10-11. Available from: https://www.academia.edu/37206582/How_does_ media_exhibit_auratic_qualities_in_the_21st_century [Last accessed on 2024 Jan 20].
- Badry AI, Lubis AY. Digital art and its uniqueness without aura. In: Budianta M, Budiman M, Kusno A, Moriyama M, editors. Cultural Dynamics in a Globalized World. United States: Taylor & Francis Group; 2018. p. 94-95.
- Badry AI, Lubis AY. Digital art and its uniqueness without aura. In: Budianta M, Budiman M, Kusno A, Moriyama M, editors. Cultural Dynamics in a Globalized World. United States: Taylor & Francis Group; 2018. p. 95.
- Kuspit D. Kraj Umjetnosti. Zagreb: MSU; 2018. p. 111-112.
- Dixon M. The horror of disconnection: The auratic in technological malfunction. Transform J Media Cult. 2007;15:2.
- Dixon M. The horror of disconnection: The auratic in technological malfunction. Transform J Media Cult. 2007;15:4.
- Dixon M. The horror of disconnection: The auratic in technological malfunction. Transform J Media Cult. 2007;15:6.
- Dixon M. The horror of disconnection: The auratic in technological malfunction. Transform J Media Cult. 2007;15:7.
- Derrida J. Glas i Fenomen. Novi Beograd: Istraživačko Izdavački Centar SSOS; 1989. p. 84.
- Vlaisavljević J. Fenomenologija i Gramatologija. In: Derrida J, editor. Glas i Fenomen. Novi Beograd: Istraživačko izdavački Centar SSOS; 1989. p. 13.
- Vlaisavljević J. Fenomenologija i Gramatologija. In: Derrida J, editor. Glas i Fenomen. Novi Beograd: Istraživačko izdavački Centar SSOS; 1989. p. 23.
- Šuvaković M. Konceptualna Umetnost. Serbia: Muzej Savremene Umetnosti Vojvodine; 2007. p. 223.
- Šuvaković M. Konceptualna Umetnost. Serbia: Muzej Savremene Umetnosti Vojvodine; 2007. p. 225.
- Sandro Vrbanus. Umjetnici Tuže Popularne AI Generatore Slika Zbog Kršenja Autorskih Prava. Bug; 2023. Availavble from: https://www.bug.hr/parnice/umjetnici-tuze-popularne-ai-generatore-slika-zbog-krsenja-autorskih-prava-31238 [Last accesed on 2023 Jan 18].
- Vrbanus S. Umjetnici Tuže Popularne AI Generatore Slika Zbog Kršenja Autorskih Prava. Bug; 2023. Availavble from: https://www.bug.hr/parnice/umjetnici-tuze-popularne-ai-generatore-slika-zbog-krsenja-autorskih-prava-31238 [Last accesed on 2023 Jan 18].
- Damnjanović M. Estetika i Stvaralaštvo. Sarajevo: Veselin Masleša; 1988. p. 308.
- Adorno TLW. Estetička Teorija. Beograd: Nolit; 1979. p. 54-55.
- Adorno TLW. Estetička Teorija. Beograd: Nolit; 1979. p. 54-56.
- Adorno TLW. Estetička Teorija. Nolit: Beograd; 1979. p. 57-58.
- Rukavina K. O novome nakon modernizma: Stvaralaštvo u kontekstu proširenog pojma umjetnosti. Ars Adriatica. 2019;208. doi: 10.15291/ars.2932
- Rukavina K. O novome nakon modernizma: stvaralaštvo u kontekstu proširenog pojma umjetnosti. Ars Adriatica. 2019;209. doi: 10.15291/ars.2932
- Manovich L. Avant-garde as software. Artnodes. 2002;(2):1. doi: 10.7238/A.V0I2.681
- Manovich L. Avant-garde as software. Artnodes. 2002;(2):2. doi: 10.7238/A.V0I2.681
- Manovich L. Avant-garde as software. Artnodes. 2002;(2):3. doi: 10.7238/A.V0I2.681
- Manovich L. Avant-garde as software. Artnodes. 2002;(2):10. doi: 10.7238/A.V0I2.681
- Manovich L. Avant-garde as software. Artnodes. 2002;(2):11. doi: 10.7238/A.V0I2.681
- Audry S, Ippolito J. Can artificial intelligence make art without artists? Ask the viewer. Arts. 2019;8(35):1.
- Audry S, Ippolito J. Can artificial intelligence make art without artists? Ask the viewer. Arts. 2019;8(35):2.
- Roose K. An A.I.-Generated Picture Won an Art Prize. Artists Aren’t Happy. The New York Times; 2022. Available from: https://www.nytimes.com/2022/09/02/technology/ ai-artificial-intelligence-artists.html [Last accessed on 2024 Jan 20].
- Bogost I. The AI-art gold rush is here. The Atlantic; 2019. Available from: https://www.theatlantic.com/technology/ archive/2019/03/ai-created-art-invades-chelsea-gallery-scene/584134 [Last accessed on 2024 Jan 20].
- Pazaurek GE. Guter und Schlechter Geschmack im Kunstgewerbe. Germany: Deutsche Verlagsanstalt; 1912.
- Broch H. Bilješke o problemu kiča. In: Dorfles G, editor. Kič: Antologija Lošeg Ukusa. Zagreb: Golden Marketing; 1997. p. 73.
- Flusser V. On the word design: An etymological essay. Design Issues. 1995;11(3):51. doi: 10.2307/1511771
- Wurm F. Afterword. Design Issues. 1995;11(3):60.