News and Announcements
ARTICLE
Glass in fine art: Contemporary approaches in the 21st century in the Portuguese panorama
Show Less
1
i2ADS Research Institute in Art, Design and Society, Faculty of Fine Art, Porto University, Porto,
Portugal
2
VICARTE, Research Unit “Glass and Ceramics for the Art”, Faculdade de Ciências e Tecnologia, Universidade NOVA de Lisboa, Monte da Caparica,
Portugal
AC, 2777 https://doi.org/10.36922/ac.2777
Submitted: 18 January 2024 | Accepted: 14 March 2024 | Published: 24 July 2024
© 2024 by the Author(s). This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution -Noncommercial 4.0 International License (CC-by the license) ( https://creativecommons.org/licenses/by-nc/4.0/ )
Abstract
Art glass is a pioneering form of art that is open to investigations and distinct applications. The technological developments in science combined with novel esthetic concepts allow new artistic interpretations of this material that can be transparent, translucid, crystal, and opaque. Glass is an art material prevalent in Portugal territory, which has been historically connected particularly with glassblowing and stained glass. Many Portuguese artists are now integrating glass into the conception of their art pieces. This article aims to present the panorama of Portuguese contemporary glass and the importance of education programs that have emerged in the past years contributing to the increase of artists working with glass as a fine art material. Research conducted in universities, as well as numerous synergistic projects, also represents key factors leading to the increased convergence between art, science, and the production of original materials. This paper also presents works from young-generation artists, projects, and events.
Keywords
Case studies
Art glass
Glass education
Art and science
Portuguese panorama
Funding
This research was funded by FCT (Fundação para a Ciência e Tecnologia) grant [SFRH/BD/30684/2006] and VICARTE UIDB/00729/2020.
Conflict of interest
The author declares no conflicts of interest.
References
- Da Silva Barros C. Real Fábrica de vidros da Marinha Grande, II Centenário 1769-1969. Edições Magno. Reedição. Lisboa: Fábrica - Escola Irmãos Stephens; 1969.
- Almeida T. Design glass objects: The Portuguese panorama. Arts. 2020;9(3):79. doi: 10.3390/arts9030079
- Almeida T. A study of the contemporary portuguese stained glass: Artists and works. Int J Archit Arts Appl. 2021;7(2):24-32. doi: 10.11648/j.ijaaa.20210702.11
- Dreisbach F. An anecdotal description of the debut of American studio glass artists and the family tree. In: Lynggaard F, editor. The Story of Studio Glass. Copenhagen: Rhodos International Science and Art Publishers; 1998. p. 27-31.
- Lynn MD. American Studio Glass 1960-1990. Singapore: Hudson Hills Press; 2004.
- Oldknow T. Pilchuck: A Glass School. Itália: Suzanne Kotz; 1996.
- Ioannou N. Australian Studio Glass: The Movement, Its Makers and Their Art. Carlsbad: Craftsman House; 1995.
- Frantz S. Contemporary Glass. New York: Corning Museum of Glass, Harry N. Abrams, Incorporated; 1989.
- Balgavá B, Eliëns TM. Thinking in Glass: Václav Cígler and His School. The Hague: Waanders Publishers, Zwolle Gemeentemuseum; 2005.
- Martinsone I. In: Roepstorff, B, editor. Glass art in Latvia. Nordic Glass. United Kingdom: Bog Centre; 2000.
- Raun MA. Eesti Klaasikunst 60 (Estonian Glass 60), Tallinn: The Estonian Glass Artists Union; 1996.
- Simanaitienė R. Development of the Artistic Image of Lithuanian Glass Plastic Art in the 20th Century. Unpublished PhD thesis. Vytautas Magnus University and Architecture and Construction Institute; 2003.
- Almeida T, Lochorey E. Stained glass workshop heritage in Portugal with more than 100 years. Int J Art Art Hist. 2021;9(1):1-12. doi: 10.15640/ijaah.v9n1a1
- Wilson S. Information Arts. United States of America: Library of Congress: 2002.
- Strosberg E. Art and Science. New York: Abbeville Press Publishers; 2001.
- Shanken E. Historicizing art and technology: Forging a method and firing a canon. In: Media Art Histories. London: MIT Press; 2007.
- De Almeida TM. O Vidro Como Material Plástico: Transparência, Luz, Cor e Expressão. Ph.D thesis, Aveiro University; 2011.
- Ecological Transparency-from Tropic to Glaciers. Glass Museum, Exhibition Catalogue; 2019.
- Eco U. A Definição da Arte. Lisboa: Edições 70, LDA; 2008.
- Quintas F. Vitral: Contemporaneidade e sedução do poder. PhD thesis in Fine Arts by the Faculty of Fine Arts Lisbon University; 2014.
- De Matos AP, Ruivo A, Silveira Godinho I. Within Light/ Insed Glass an Intersection between Art and Science. Portugal: Vicarte, Exhibition Catalogue.
- Rocha AM, Almeida T, Machado G. The threshold between the material and immaterial light. Notes on luminescence and dark environments. Arts. 2021;10(3):56. doi: 10.3390/arts10030056
- Rocha AM, Machado G, Almeida T, Laia CAT, Ruivo A. Light-emitting prints on glass. IMPACT Printmaking J. 2020;2:15. doi: 10.54632/20.2.IMPJ3
- Rocha AM. Transparência e Subjetividade. Reflexões Sobre o Decalque e a luminescência na Produção e Visualização da Imagem. Ph.D thesis in Fine Arts. Porto University, Faculty of Fine Arts; 2023.
- Vieira A. Portuguese Contemporary Glass III. Glass Museum, Marinha Grande, Portugal, Exhibition Catalogue; 2006.
- Carvalho C. Walking the Dog and Everthing os Broken. Glass Museum, Marinha Grande, Portugal, Exhibition Catalogue; 2006.
- Amado M, editor. Joana Vasconcelos. Portugal: Berardo Collection Museum, Belém Cultural Center; 2010.
- Bordalo Pinheiro 170 Anos Depois por Alunos de Belas Artes. U. Porto edições; 2016.
- Almeida T. In: Rogers M, editor. Exposição de Vidro e Sobre o Vidro. (RE) Pensar o Ensino. 12th ed. Portugal: i2ads; 2019.
- Bart C. Material and Mind. Cambridge: The MIT Press; 2019
- Bachelard G. Os Pensadores. A Filosofia do Não, O Novo Espírito Científico, A Poética do Espaço. Abril Cultural. São Paulo: Abril Cultural; 1978. p. 205. (Translated from Portuguese)
- Available from: https://mariapalma.cargo.site/por-este-rio-acima [Last accessed on 2022 Jul 13].
- Maia, P. Waiting for Ulisses. Glass Museum, Marinha Grande, Portugal, Exhibition Catalogue; 2016.
- Available from: https://youtu.be/4ylbwl7yyn4 [Last acccessed on 2024 Feb 27].