AccScience Publishing / JCAU / Online First / DOI: 10.36922/JCAU026240039
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ORIGINAL ARTICLE

Spatial inheritance and the crisis of transmission: Architectural typologies of Cantonese opera associations in Kuala Lumpur

Calvin Hoi Men Loh1 Hazwan Ariff Hakimi Hakimi1,2*
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1 Department of Architecture, Faculty of Built Environment, Universiti Malaya, Kuala Lumpur, Malaysia
2 The Centre for Building, Construction & Tropical Architecture, Faculty of Built Environment, Universiti Malaya, Kuala Lumpur, Malaysia
Journal of Chinese Architecture and Urbanism, 026240039 https://doi.org/10.36922/JCAU026240039
Received: 9 June 2026 | Revised: 19 July 2026 | Accepted: 21 July 2026 | Published online: 5 August 2026
© 2026 by the Author(s). This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution -Noncommercial 4.0 International License (CC-by the license) ( https://creativecommons.org/licenses/by-nc/4.0/ )
Abstract

The intergenerational transmission of Cantonese opera in Kuala Lumpur is increasingly threatened by the loss of the urban and architectural settings that once sustained the practice. Although existing studies have examined Cantonese opera from cultural, historical, sociological, and performance perspectives, less attention has been paid to the spatial conditions that support embodied learning, ritual practice, and cultural memory. This study addresses this gap by examining how the architectural typologies of active opera associations facilitate or constrain the transmission of tacit knowledge among practitioners. Using a qualitative case-study design, the study triangulated semi-structured interviews with senior practitioners and community custodians, archival analysis, architectural mapping, and an exploratory public-perception survey of 131 respondents. Three associations—Pat Woh Association Malaysia (PW), Yan Keng Benevolent Dramatic Association (YK), and Yuet Wan Cantonese Opera Association Kuala Lumpur (YW)—served as the primary units of architectural and spatial analysis. The findings indicate that cultural memory remains anchored in historical markers and material traces, but public engagement is limited by fragmented archives, weak street visibility, unclear entrances, and restricted access to rehearsal and ritual spaces. Transmission is strongest where the built environment supports visual contact, acoustic coordination, backstage proximity, informal observation, and graduated ritual access. PW sustains ritual continuity, YK preserves civic and archival memory, and YW supports proximity-based learning. These findings establish spatial inheritance as a framework for balancing public visibility, cultural memory, embodied learning, and ritual privacy. The study argues that Cantonese opera should be reintegrated into Kuala Lumpur’s urban fabric as a continuous living practice rather than preserved solely as a static cultural artifact.

Keywords
Intangible cultural heritage
Cultural transmission
Cultural memory
Osmotic learning; Malaysia
Funding
None.
Conflict of interest
The authors declare no conflict of interest.
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