AccScience Publishing / JCAU / Volume 6 / Issue 4 / DOI: 10.36922/jcau.4189
ORIGINAL ARTICLE

A cultural exposition model for interpreting architectural heritage: A study on Pingyao historical city

Ming Liu1* Sathit Thimwatbunthong1 Piyanard Ungkawanichakul2
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1 Department of Visual Arts, Faculty of Fine Arts, Srinakharinwirot University, Bangkok, Thailand
2 Department of History, Faculty of Social Sciences, Srinakharinwirot University, Bangkok, Thailand
Journal of Chinese Architecture and Urbanism 2024, 6(4), 4189 https://doi.org/10.36922/jcau.4189
Submitted: 10 July 2024 | Accepted: 21 August 2024 | Published: 17 October 2024
© 2024 by the Author(s). This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution -Noncommercial 4.0 International License (CC-by the license) ( https://creativecommons.org/licenses/by-nc/4.0/ )
Abstract

Architectural heritage, encompassing both its material and immaterial aspects, serves as a vital lens for understanding the historical, social, and esthetic values embedded in a society. As a reflection of cultural evolution, it offers insight into the architectural technologies, social structures, and collective memories of specific historical periods. This article investigates the architectural history of Pingyao historical city by employing theoretical perspectives that integrate material, social, and spiritual dimensions. The study demonstrates how the philosophy and cultural values of ancient Chinese society are reflected in the spatial and architectural forms of Pingyao. The material dimension considers how principles such as Feng Shui, numerology, and color symbolism shaped the city’s general layout and building designs. The social attribute addresses the influence of Confucianism on spatial organization, the use of culturally significant architectural elements, and the function of key structures in fostering social unity among the population. The spiritual aspect explores concepts of Eastern origin, such as Yin and Yang, the Five Elements theory, and the “Unity of Heaven and Humanity,” as these are incorporated into the city’s external architecture. Furthermore, it examines the influence of Buddhism and Daoism on Pyingyao’s architectural features. This comprehensive analysis reveals that Pingyao is far more than a collection of historic buildings; it is an intricate cultural artifact, offering a unique perspective on earlier stages of Chinese thought and society. Therefore, the preservation and study of Pingyao’s architecture offer a valuable opportunity to deepen our understanding of China’s architectural history.

Keywords
Pingyao
Heritage
Culture
Cultural exposition model
Heritage interpretation
Funding
None.
Conflict of interest
The authors declare that they have no competing interests.
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Journal of Chinese Architecture and Urbanism, Electronic ISSN: 2717-5626 Published by AccScience Publishing