AccScience Publishing / JCAU / Online First / DOI: 10.36922/jcau.1995
ORIGINAL ARTICLE

Socialist urbanism and cultural infrastructure facilities in China: Cities of the Pearl River Delta and the Guangzhou cultural infrastructure facilities plan, 2003–07

Carolyn Cartier1*
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1 School of International Studies, Faculty of Arts and Social Sciences, University of Technology Sydney, Sydney, New South Wales, Australia
Journal of Chinese Architecture and Urbanism, 1995 https://doi.org/10.36922/jcau.1995
Submitted: 9 October 2023 | Accepted: 28 March 2024 | Published: 7 November 2024
© 2024 by the Author(s). This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution -Noncommercial 4.0 International License (CC-by the license) ( https://creativecommons.org/licenses/by-nc/4.0/ )
Abstract

The construction of “cultural infrastructure facilities” (wenhua jichu sheshi) in China – auditoria, exhibition halls, libraries, museums, performance centers – for state administration of culture and information originated in the 1950s with Sino-Soviet exchange and has continued throughout the reform era. However, scholarship on urban development in China, embedded in discourses of capitalism and modern planning, generally does not recognize this category of infrastructure construction by contemporary city governments. To address the lacunae, this article analyzes the history of cultural infrastructure facilities in socialist urbanism, their transfer to the People’s Republic of China from the Soviet Union, the conditions of socialist realism, and the continuity of cultural infrastructure construction since the 1980s. Evidence from the Guangzhou Cultural Infrastructure Facilities Projects Plan (2003 – 07) and cultural facilities sites in the new city center projects of Shenzhen, Shunde, and Dongguan demonstrate how the party-state prioritizes the planning and construction of cultural infrastructure facilities. Contemporary architectural designs for new cultural buildings represent the international aesthetic of reform while cultural facilities continue to house and display party-sanctioned culture and information for the people.

Keywords
City centers
Cultural infrastructure facilities
Socialist realism
Socialist urbanism
China
Funding
The study was supported by the Australian Research Council Discovery Project (DP170100871) and Council for International Exchange of Scholars–Fulbright Lecturer-Research Award, Hong Kong Baptist University, 2005 – 06.
Conflict of interest
The author declares no competing interests in this paper.
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